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Fragrances, Flavors & Attar |
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| INTRODUCTION | ||||
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The history of
natural attars is very much associated to the
history of Kannauj. Kannauj has been known for natural attars from the Mugal period or even earlier when aroma bearing substances like
Sandal, Musk, Comphor, Saffron were used as such (without
isolation of odorous principles) and the range
of such materials and essential oils were further enriched during the Mugal period,
when new plants were brought by the Mugals from Central
Asia to this country. This lead
to the discovery and development of process for the preparation of attar from Roses by
Noorjahan, the Mugal queen, This was the beginning of the natural attars in India, which developed and progressed in and
around Kannauj and is quite strong even now. Floral Attars may be defined as the
distillates obtained by the hydro distillation of flowers in Sandalwood Oil or other base
materials like DOP, DEP, Paraffin
etc. The attars of
Rose & Kewra are used as flavours in Indian sweets.
The main users of attars is in the Pan Masala and Chewing tobacco industry. The two product also unique to India & consume
nearly 80% of all the attars
manufactured. All the attars
are used as perfumes by themselves. In
India and middle East, attars are made as offerings to the God. There are evidences in the history and Hindu sacred books ( Holy texts) that perfumery tradition dates back to over 5000 years at the time of Indus valley civilization as well when distillation practice was reported to be in existence. |
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MANUFACTURING PROCESS |
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The attars are
manufactured traditionally Degs & Bhapka system, which is a hydro
distillation process. The still is heated
form below by lighting a fire with the help of wood or cow dung. The temperature
and speed of the distillations controlled by regulating the fire. The distillation is managed by highly
skilled/experience, workers called Dighaa. He knows when the correct quantity
of vapours have condensed inside the receiver
by feeling the round part of the receiver under water. The
water in the tank is change continuously to prevent the temperature rising too high.
Managing the still is highly skilled job, as the operator must keep the boiling in the
still at a level that matches the condensation in the receiver, in order to keep the
pressure under control. When the desire
quantity of vapours have condensed, the Dighaa rubs a wet cloth around the body of the
still for a temporary pause in distillation and the filled receiver is replaced by another receiver.
If necessary, the second may be replaced by a third receiver. The receiver
is then allowed to cool and may remain idle for one or two days depending on the pressure
of work. The mixture of oil and water is then separated either directly form the receiver
through a hole at the bottom or pouring the whole mixture in an open trough, After
the oil and water have separated into two layers, the water is removed from an opening in the bottom, and the same is
cohobated. The base material remains in the receiver.
After desired concentration of the attar has been reached, then same is
poured into leather bottles for sedimentation and removal of moisture. Sometimes liquid
paraffin is used for the manufacture of cheaper attars. The mouth of the receiver is
sealed by wrapping coarse cloth around the bamboo pipe and pushing it inside the
condenser. The receiver may contain up to 5-10 kilos of base materials and is
kept in a small water tank. |
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RAW MATERIALS AND THEIR SOURCES |
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Base Material : Sandal wood oil, Di-octyl
Phthalate (DOP) & Liquid paraffin.
Floral Material : Flowers of Gulab, Kewra, Bela,
Mehndi, Kadam, Chameli, Marigold, Saffron & Maulshri. Herb & Spices : A number of hersbs and spices are used in this industry which includes Oakmoss, Sugandh mantri, Laurel berry, Juniper berry, Cypriol, Indian valerian, Jatamansi, Hedychium spicatum, Daru Haldi, Sugandha Bala, Sugandha Kokila, Kulanjan, Javitri/ Jaiphal, Cardamom, Clove, Saffron, Ambergris & Musk. The above materials are available in the different parts of the country as :- |
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Sandal Wood Oil |
South India |
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Rose |
Aligarh (U.P.),
Palampur (H.P.) |
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Kewra |
Ganjam (Orissa) |
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Maulshri, Jasmine, Marigold,chameli, Kadamb,Mehndi |
Kannauj, U.P. |
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Spices and herbs |
North-East and
South
India, Madhya Pradesh |
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Saffron |
Jammu & Kashmir |
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EQUIPMENTS |
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The attar
manufacturing for floral type takes place in remote places because the flowers are
required to be processed quickly after plucking. The
apparatus & equipments used for
manufacture of attar are light, flexible, easy to repair with a fair degree of efficiency,
keeping in view the above facts, the traditional Deg & Bhapka process is being used for centuries and even now
The details of
equipments are as follows :-
(i)
Deg or Still
The process is carried out in copper stills called Degs as was done centuries ago. These are all direct
fire heated stills and their capacities can
range from 10-160 kilos of floral/herbal materials. The lid of the
still is called Sarpos and is also made of copper
having opening for connections to one or two receivers.
(ii)
Bhapka or Receiver
One of the peculiar features of attars distillation is that
no separate condenser is used. The unique
odour of attars is obtained by condensing vapours into the
base material, mainly sandalwood oil. The receiver is built of copper and is
of round shape with long neck, for case in connection with Deg via chonga. It is known as
Bhapka and it acts as condenser as well.
(iii)
Chonga or Bamboo Condenser
The still and
receiver are connected by a Chonga. This is a hollow bamboo pipe wrapped with twine
for insulation.
(iv)
Traditional Bhatti or Furnace
Normally
wood or coal is used for heating. Heat is controlled manually.
(v) Gachchi or Cooling Water Tank
This is the
place where Bhapka, or receiver is kept and used for cooling the distillate from Deg.
(vi) Kuppi or Leather Bottle
These are the
bottle made from leather of animals. The reason for making these bottle is their
semi-permeability towards water. It is used for removal of moisture from attars. The
leather allows water to move-out and attar to be remain, as such, thereby separating the
moisture from attar. Copper has been the main structural material for Deg and Bhapka because it is malleable , good conductor of heat & easy to repair. |
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TYPES OF ATTARS |
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The attars may
be broadly categorized into following types on the basis of raw materials used.
Floral Attars Attars manufactured from
single species of flower are coming under this category. These are :-
(i)
Gulab ex Rosa damascena or Rosa Edword
(ii)
Kewra
ex Pandanus odoratissimus
(iii)
Motia ex
Jasminum sambac
(iv)
Gulhina ex
lawsonia inermis
(v)
Chameli
ex Jasminum grandiflorum (vi) Kadam ex Anthoephalus cadamba |
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Herbal and Spicy Attar |
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Attar manufactured from combination of floral, herbal & spicy materials are coming under this category. Hina and its various forms viz., Shamama, Shamam tul Amber, Musk Amber and Musk Hina. The some attars which are neither floral nor herbal and are coming under this category. Attar Mitti falls under this category and is produced by distillation of baked earth over base material. |
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USES |
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The Indian
attars in the past has been utilized by elite class of the society particularly kinds & queens on their body. With the span of time kingdoms got abolished and
hence the kings & queens. But, attars industry got a new dimension form the field of fragrance to
flavour and now a days it is used in the following areas;
1.
Pan Masala and Gutka is the largest consumer of Indian attars. The reason for using it is its
extraordinary tenacity along with characteristic
to withstand with tobacco note. The attars used are
rose, Kewra, Mehndi, Hina, Shamama, Mitti, Marigold etc.
2.
Tobacco is relatively smaller segment for attar consumption as compared to above industry. The attars used are mainly kewra & Rose.
Alongwith Pan masala & Gutkha it contributes to more the 75% of attar consumption.
3.
Betlenet is relatively smaller segment for attar consumption as compared to above
two industry. The attars used are mainly
Kewra & Rose.
4.
It is used by people as a personal perfume, particularly by Muslims due to absence
of alcohol.
5.
Attars does have the application in pharmaceutical
industry too.
6.
Attars of Rose & Kewra are used in traditional Indian sweets , for imparting
flavour.
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QUALITY
STANDARD |
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The quality of
Attars can be ensured by
i)
Controlling the qualities of raw material i.e. flowers & base materials like sandalwood oil etc.
ii)
Standardization of process parameters.
The BIS
specification is available for the analysis of Sandalwood oil. Most of the species which
are used in the manufacturing of Indian traditional fragrances for example Sugandh Mantri,
Sugandh Bala, Kapoor Kachri, Jatamansi, Nagarmotha, etc. have no specification for their
quality assessment.
The quality of attars depends upon.
1.
The quality of flower
2.
The time duration between the plucking of flower and charging into the stills,
3.
The process parameters of distillation. To survive in the world market of fragrance & flavour, it is necessary that attars should be of standard quality. Therefore, their standardization is essential to sustain in the world market. |
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SOURCES OF EQUIPMENT |
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The equipemnts
which are used in this industry are designed and fabricated in and around Kannauj &
Farrukhabad districts of U.P. by the local fabricator.
The equipments are easy to be fabricated and are made of copper. They can be made by any
good fabricators after getting design from any authentic source. |
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INTERNATIONAL & NATIONAL MARKET POTENTIAL |
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The
attars does have a good market potential in Middle East countries where they are using it
due to absence of alcohol. Simultaneously, if properly packaged and marketed in the name
of natural fragrance there does exists a market potential in other countries as well. The
attars can have a good market potential in international market if consistency in quality
and supply is ensured. They can found a good use in high class fragrances, cosmetics and
even for aromatherapy as
far as National market potential is concern, the prevailing one is in Tobacco, Pan masala
& Gutkha industry but, its horizon of market can be widen if surety about quality and
assurance about consistency in supply could be made. It could found a lot of use in herbal
products and in aromatherapy. There also exists a good potential if they are packaged in
small packing in marketed in attractive manner. If,
there national & international potential are properly harnessed there, exists a good
future for Indian natural fragrance & attars. |
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PROJECT COST |
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The cost of one
unit capacity 100 kg. raw materials would be around Rs. 40,000/-. This unit consist of one
Deg and three receiver (Bhapka) capacity 15 liters waters each. |
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CONCLUSION |
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Still there is
need to control the quality of attars by quantifying the amount of odoriferous materials
distilled over it and amount of distillate it has received. But, till now no method has
been developed so far. This is an area where industry and R & D institutions have to
work together. If, it is done there is no doubt that a bright future will be there for
this traditional, unique industry of Indian attar. |
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| For More Details Visit FFDC Website:- http://www.ffdcindia.org/new.htm | ||||
Source : Director, Fragrance & Flavour Development Centre,Kannauj |
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